QUIZ: Whose motto is this?
Why Art Matters
Before we get to the answer, wouldn’t we all agree that “art works”? Not all art “works,” of course, and not all art works for every person every time, but the process of making and watching art works. In this East Bay Times article, Kay Kleinerman was quoted as saying, “Theater calls on us to engage with our brains, our bodies, our imaginations and our voices. From what could we learn more?”
Why Art Needs Us
As this United Arts Council statement notes, “Funding strategies are critical to local arts agencies, especially in the face of greatly changing private sector support.” This is why I was happy to do a very small part and write a letter of support for Theatre Tallahassee.
I wrote a letter of support because a) Executive Director Theresa Davis asked me to (and I was happy to comply!) and b) I believe there are many ways we can contribute meaningfully to places we love, such as through letters. I encourage you to do the same for an organization you care about.
No actor makes it to the stage without intense effort on the parts of many who don’t get to share the limelight.
Similarly, we don’t always immediately see the benefits a long-term, quality arts program brings to a community.
Theatre Tallahassee delivers tangible and intangible assets to our region, by helping the economy while simultaneously engaging a diverse array of citizens through the joy of creating.
Numbers talk. Americans for the Arts found that local nonprofit arts attendees spend an average $17.42 per person (excluding admission costs) in ways that help the local economy (eating out, for example) while non-local attendees spend an average of $39.96 per person (adding other travel expenditures like hotels). Theatre Tallahassee helps our local economy grow.
Numbers talk but, equally important, art matters. Has every show Theatre Tallahassee (previously Tallahassee Little Theatre) produced since Boy Meets Girl in 1949 been a consensus success? Absolutely not. But I would argue that there has been a disproportionately loud amount of applause versus dissatisfaction. Also, the best art is sometimes judged by how you feel about it months later rather than your immediate reaction.
In an East Bay Times article, Kay Kleinerman was quoted as saying, “It’s not about how engaging in theater can boost test scores for students … It’s bigger and more important than that. Plainly and simply, theater is a lens through which to see and understand the world and understand ourselves in the world. It is a way of knowing, perhaps one of the most complete ways of knowing. Theater calls on us to engage with our brains, our bodies, our imaginations and our voices. From what could we learn more?”
Finally, transcending economic numbers and the value of art, Theatre Tallahassee’s power in my life has been personal. I saw my daughter thrive there as an actor. I have shared countless performances as an audience member, many of them with my blind mother-in-law, who held season tickets for years and appreciated the dynamic of live art even if she couldn’t physically see it. I have volunteered at will-call, worked the concession stand, helped at fund-raisers. Each of these things engaged me, in the fulfilling ways Kay Kleinerman summarized in the East Bay Times.
Theatre Tallahassee matters to our community economically and artistically, and to me in ways no other organization could.
I lend the organization my unqualified support.
And That Time I Was a Grailfinder
I have to admit one of my happiest moments at Theatre Tallahassee was when I was the “Grailfinder for the Night” during Spamalot!
Who’s Motto is “Art Works” Anyway?
The organization that said, “In its comparatively short existence in the life of civilizations, the U.S. has produced an enduring legacy of cultural achievements, and leaders are fast recognizing the centrality of artistic expression and creativity to a health society, is the National Endowment for the Arts.
It’s one organization’s motto but applies universally.
Art works, and it deserves our support.
Wife of one, Mom of two, Friend of many. My pronouns are she/her/hers.